
The Frame by Frame Showcase will take place at the end of September and will be held at the Tateuchi Democracy Forum. There will be 7 short animated films from 3 different fields of study (graphic design, experimental animation & character animation.)

“A Lost Generation”, my thesis film is an official selection of the Peachtree Village International Film Festival. It will premiere in L.A at the Frame by Frame Animation Showcase in September.

The award winning director, Tad Nakamura approached me to add some visual effects and animation sequences to his 3rd documentary, “A Song for Ourselves”, which is about the Japanese American folk singer Chris Iijima.

Woman against nature, Nike shows off Nicola Spirig as she overcomes the different obstacles that nature throws her way.

Shell’s exploration with “going green” is translated through this friendly, hand-drawn, imaginative world.

Using a short story about the racist environment that surrounded Japanese Americans in the 1940′s, this film tries to use typography and symbolic imagery to communicate the plot and emotions.

A patterned, layered poster portrays the story of an American family whose perfect identity unravels as the family clock reveals the dark secrets that this family has tried to hide and neglect.

Maureen Huskey’s beautifully directed psychological thriller is visually represented through ornamentation, tension, and a beautifully grotesque aesthetic.

LFS’ inspirational, imaginative, witty vision is translated into a free flowing, communal, colorful underwater world.

This is a logo/bumper/identity for my future studio, “Foment Films”. Foment means to promote growth through agitation. The idea behind this narrative is to agitate the media industry in order to promote healthier portrayals of Asian Americans.

The idea that Pepsi has a universal appeal, is seen as different cultures and people emerge from the happy, free-flowing, fun liquid logo.

Bravo goes through a network branding make over as the diverse programming is portrayed by a vibrant, sexy, collage aesthetic.

Stardust’s commitment to imaginative, magical, spectacle-driven design is shown through this stationary where bodies form letters and gold strands illuminate the logo.

Brazil’s raw, vibrant, free flowing culture against the United States’ rigid, materialistic, money-hungry culture. Who will win?

The oldie but goodie 2008 reel. Work on this reel includes my role as a designer, animator and compositor at different studios such as LFS, Imaginary Forces, Rhinehardt PD and Stardust.

Constructed metaphors, imaginative and surreal visuals, and layered stories are illustrated to reflect Italo Calvino’s “Invisible Cities”.

An excerpt from my image-making “Book on Books” project. The narrative was about man and technology destroying and mutating nature.

FYI Films gets imaginative and raw as the youth within the organization direct their first music video.

Sergio Mendes’ “Mas Que Nada” is translated to a colorful, underwater world.

“Your pain is the breaking of the shell that encloses your understanding. It is the bitter potion by which the physician within you heals your sick self. Therefore, trust the physician and drink his remedy in silence and tranquility.” – Khalil Gibran

My imaginative, socially conscious, future studio comes to life in this collage of analog styles.

A Randy Donut’s logo, waves, and other Los Angeles landmarks make up the lettering of this caLArts t-shirt.

From an Alcoholic “A” to a Dorky “D” to a Zany “Z”, the alphabet that you wish they taught in school.

Common Sense’s “I Used to Love Her”, which is about hip-hop’s dying image, is portrayed through this melting, liquid lettering piece.